If Fabrizio Federico is toying with the people in his films or they are toying with him is hard to decipher. Perhaps that’s what it’s about, voyeurism in a modern world.
Black Biscuit and Pregnant are features that anyone could make, but no one will. He describes the people in his films as »misfit outsiders » portraying a generation gap in 21st century cinema.
His manifesto Pink8 swindled the punk DIY ethic stating that its best to be a flamboyant failure instead of a benign success.
